Exaggeration is the animator's secret weapon. The subtlty of this animation is appealing. The head/nose stops at what is known as a 'wall'. The motion can still be well spaced to get the crispness but attention to overlap and follow through will add even more appeal. The other way to interpret the animation principle of overlap and follow through is: "everything doesn't stop at the same time."
Exaggeration is the animator's secret weapon. The subtlty of this animation is appealing. The head/nose stops at what is known as a 'wall'. The motion can still be well spaced to get the crispness but attention to overlap and follow through will add even more appeal. The other way to interpret the animation principle of overlap and follow through is: "everything doesn't stop at the same time."
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